Thank you...

My deepest thanks to all the book club members and Weekly newspaper readers who have been so kind to share their condolences, prayers and best wishes after my family's recent loss of my beloved brother, Mike.

Many of you have shared your own stories of love and loss and it's humbling. When something like this happens, it underscores how important it is that each of us spend each day with people and doing the things that make our heart sing.

I am forever grateful to all the book club members and the staff at Carolina Weekly Newspaper Group for being such a wonderful family of people whom I love dearly.

With all my heart,

Thank you.

Alison

Stephanie Kallos Visits Charlotte

Stephanie Kallos, author of our book club favorite "Broken for You," visits Charlotte next week to discuss her latest book, "Sing Them Home." I am forever indebted to Kallos. Not only did is "Broken" one of the best books our book club has ever read, she was one of the very first authors who did a phone chat with us when we were just getting our sea legs. I can't believe that was four years ago!

Run, don't walk to buy her latest book. She is an exceptional writing talent who creates characters that live with you long after the end of the book. She will be appearing at Park Road Books on Thursday, Feb. 5 at 7 P.M. For more details, visit their bookstore at 4139 Park Road, in Charlotte's Park Road Shopping Center, or call them at 704-525-9139.

Want to get to know Kallos better? Here's an indepth interview with the author.

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The idea for SING THEM HOME has clearly been with you for quite a while. Where did the story come from? How close is the final story to your original idea?

The initial idea for SING THEM HOME arose from a photo from the March 1974 National Geographic—and from my family’s personal connection to that photo. Until I was five, my parents and I lived in Wymore, Nebraska, and among my folks’ best friends at that time were Ed and Hope McClure. They lived a few miles outside of town in a nineteenth-century farmhouse that had great historical significance to the community and that Hope had lovingly restored and furnished with period antiques. I still remember a great deal about that house—even though the last time I saw it was in 1960, which is when we moved away.

In 1974, in one of those examples freakish tornadic behavior, a funnel cloud came through, passing by the farmhouse across the road, bouncing over the highway, and landing on the McClure house. Hope—who had MS, and was in a wheelchair at the time—was home alone with the youngest of her five children, who was at that time a toddler. The baby was found wandering the fields wearing her diaper, having suffered nothing but a few scratches and (one would assume) a terrible scare; Hope was badly hurt, but survived. The house—and everything in it—was gone.

The National Georgraphic photo was taken a few miles away, near Blue Springs Nebraska. It shows a vast, flattened, muddied milo field with a farmer leaning over the remains of Hope’s baby grand piano. It was the only thing that came down in any kind of recognizable form. My mom used to say, “How can a deep freezer just disappear? How can a washing machine disappear? All those things—where did they go?” These questions—and their implications—have haunted me ever since.

I always envisioned the book as the story of three siblings whose mother went up but never came down, and the grief surrounding such a loss—so in that sense the story didn’t change. But the book took on a new and deeper significance when I lost both of my folks during the writing process—my dad in January 2005 and my mom a year later, almost to the day. For that reason, SING THEM HOME evolved into a much more personal book. The gift of my own loss I suppose is that it allowed me to stand with more authenticity, humility, and empathy in my characters’ shoes. For years I believed that this book would be my first novel; I’m glad it wasn’t.

There are many strands to the novel including letters, diary entries, shifts in time and point of view. In what order did you actually write the various strands?

I’d like to say that I went about writing this novel in a methodical, ordered way, but that was not the case. I did work with a detailed outline (even though I ended up deviating from it quite a bit) and that provided a way for me to move around in the story without always moving chronologically. In other words, if I woke up one morning to find Bonnie clamoring for attention, the outline gave me a kind of mental “filing cabinet” so that I knew roughly where that scene would occur. The only part of the book that I wrote all at once and in order were the Hope diary entries—with all the skipping around in time and through memory that the other characters do, I wanted the reader to at least have one point-of-view character who told their story in a traditional, chronological manner!

Do you have a favorite Jones child?

Nope. That would be something like saying I favor one of my children over the other, wouldn’t it? I love all the Jones kids, deeply. The challenge of writing about siblings was new to me, however. I’m an only child, and although I daydreamed about having brothers and sisters for much of my childhood, that hardly qualified me to write about them in a credible way! I’ll be interested to hear from people who have brothers and sisters to see if I got it right. I love meeting people’s families. I’m always asking folks about their families and never tire hearing about what it’s like to have siblings.

Also—and I’m not sure if this was a conscious choice at the very beginning of the writing process, but it certainly became conscious over time—I gave each of the Jones children different parts of myself—the flawed parts, that is. This helped me feel a personal, empathetic connection with each of them—and perhaps allowed me to avoid the danger of favoritism. (Actors have to do this, too: find the common ground that you share with the character, so that you don’t stand outside of them and judge them. The worst thing an actor playing Lady Macbeth could do would be to think of her as a “bad” person. But that’s another discussion.)

So Larken got my body image problems and my desperate need to please; Gaelan got my innate fear of being undeserving of anything good and of being “found out” as someone who’s not terribly competent or bright; Bonnie got my obsession with looking for signs and my sometimes unhealthy preoccupation with the little picture. And my frustration with blenders.

There is a point in the novel where the reader knows all the big answers, but the details—Hope’s final actions, her location, the details in her diary, the letters she wrote—are never going to be known to Viney and the Jones children. It seems that denying them that information is a key element in keeping the ending from being too pat, too standard “happy ending.” Their challenge is to achieve redemption/resolution without benefit of this knowledge. Only then can they move on in their own lives. Still, did you worry about things working out too easily, too completely?

Interesting that you ask this, because in the first draft of the book, the siblings found Hope’s body. That initial resolution did indeed seem too easy, too pat. It also undermined the substantial growth the characters had found without that deus ex machina.

And in the end, I became interested in the kind of people— there are so many in this world and in these times—who have to learn to live with that very special kind of unresolved grief, the grief of never receiving what Hope calls “the gift of bones.” I was interested in trying to bring my characters to a place where—even if they couldn’t ever get over Hope’s death or that fact that her body’s whereabouts would always be a mystery—they could at least believe that she was somewhere, and that a relationship with her was possible.

Hope writes in one of the entries about how she wants her children to be able to find her after she is gone, not in the things she leaves behind (which would include a body) but in the air they breathe. In her suicide note, she encourages them to “turn the coin over” and find her on the other side of heartbreak. I wanted the characters to learn over the course of the story to do this, to find her elsewhere—in the gestures and expressions of strangers, in music, in coincidental encounters. Because after all, this is really the only way we can really find those we’ve lost. They’re not in their coffins, not really. They’re not lingering in the vicinity of their remains. They’re somewhere else. I’ve come to believe that if one is open for business, the dead make themselves known to us. They have ways of saying hello. That’s been my experience, anyway. Knowing where a loved one is buried is a comfort, to be sure. But in this story, I wanted to look at how people might come to find comfort and redemption and the ability to move on without that knowledge.

The Welsh elements in SING THEM HOME create such a strong and unique community. Do you have any personal connections that you drew on to create this community?

Wymore, Nebraska, has a strong Welsh heritage— I didn’t know this when I lived there, it was only after I visited in April of 2004 with my dad in the interest of research that I learned about this. There is a Welsh Heritage Museum in Wymore, and a great deal of pride surrounds that historical legacy. Part of my research involved understanding why the Welsh settled in Nebraska. Another part was understanding what it means to be Welsh, why there is pride surrounding that. It’s not a culture that most of us have an immediate, clear sense of—at least I didn’t. It’s not like Italy or France or Greece—most of us have ideas, even if they’re erroneous, about what it would mean to be from one of those countries. But Wales? What does it mean to be proud of being Welsh?

The Welsh component gives the people of Emlyn Springs something that is unique to them, something that wouldn’t necessarily get them on the front page of a newspaper (or even the back page of a travel brochure) but which endows them with a sense of pride. Thus the special funeral celebration evolved over the years, Fancy Egg Days, the speaking of Welsh. I very much wanted the town of Emlyn Springs to be a character in the book, and for the sense of place to contribute in a large way to the characters’ stories.

I think sometimes it’s easy for people from larger communities to write off small towns as bland, culturally deprived, and unenlightened, as places where nothing daring or outrageous ever happens. And yet, people make their lives and deaths in those small towns and are often very proud of their communities. When a natural disaster strikes such places (and we’ve had no limit on that kind of story lately, it seems) the fortitude and courage of those small town folks astounds me.

I heard an interview with Wendell Berry when I was working on this book—he was reflecting on something that was happening in a small town in West Virginia, I believe, talking about a certain kind of mining being done there that essentially removes a mountain, bit by bit, from the top down. He said something that made its way into the book—it was about the special kind of suffering these people were experiencing, a unique suffering that comes from loving a place that has been utterly destroyed. Small town people have that kind of love. It’s a unique courage and one I very much wanted to commemorate in this book.

In regard to your first novel, Broken for You, you once discussed how you wrote letters to some of the characters while or after you had finished writing the book. Did you need to write a letter to any of the characters in SING THEM HOME?

The only character I remember being slightly recalcitrant in the early stages was Larken, and I think we did have an epistolary exchange at one point early on. She’s just not a warm and fuzzy, trusting type, and I also think she needed to be reassured that I wasn’t judging her based on her looks. There was also a lot of shyness/resistance about writing the sex scenes—particularly the first time that Viney and Welly get together. But I think that came less from the characters and more from me. I’m very shy about writing sex scenes. My agent and my editor had to really nudge me hard to get those written. I’m glad they did. They really needed to be in there.

Now that you have finished the second novel, which can be so difficult for many authors, are you working on a third?

I’ve just started daydreaming about the third novel, taking notes in my journal, reading books related to the territory I expect to explore, mining my dreams. Again, I’ll be revisiting a subject and characters that have had a fascination for me for years. Ghosts, talking to the dead, the Spiritualism movement in America, the intersection of the creative impulse and religious faith—that’s some of what I’ll be obsessing about for the next few years.

I really do feel as though it was a huge milestone getting through that second book— which, if you listen to the majority opinion, is doomed. Amy Tan’s essay “Angst and the Second Novel” was a tremendous comfort, and it’s something every writer struggling with that second book should read. I passed it on to my editor, who didn’t know of it. She immediately photocopied it for all her colleagues at Grove and now I understand it’s required reading!

February 2009 Selection: People of the Book by Geraldine Brooks

This month, we're reading historical fiction best-seller, "People of the Book" by Geraldine Brooks.

SUMMARY
In 1996, Hanna Heath, an Australian rare-book expert, is offered the job of a lifetime: analysis and conservation of the famed Sarajevo Haggadah, which has been rescued from Serb shelling during the Bosnian war. Priceless and beautiful, the book is one of the earliest Jewish volumes ever to be illuminated with images. When Hanna, a caustic loner with a passion for her work, discovers a series of tiny artifacts in its ancient binding-an insect wing fragment, wine stains, salt crystals, a white hair-she begins to unlock the book's mysteries.

Hanna's investigation unexpectedly plunges her into the intrigues of fine art forgers and ultra- nationalist fanatics. Her experiences will test her belief in herself and the man she has come to love.

JOIN US!
Join us Wednesday, Feb. 18 at 7 P.M. at Barnes & Noble at Carolina Place Mall for a phone chat with the author. Please RSVP by e-mailing us here.

Cornell West Visits Charlotte

New York Times best-selling author Dr. Cornell West will visit Charlotte next week. Before his trip, I had a chance to speak with this incredible philosopher, author and deep thinker.

Listen more by clicking here.

What I'm Reading Now: "Forever Lily"

Made in China
Author shares heartwarming story in ‘Forever Lily’

by Alison Woo
alison@thecharlotteweekly.com

Every year, roughly 1 million girls are abandoned by their families in China. This staggering statistic is a direct result of the government’s one-child-per-family policy set by the communists in 1979 to limit the nation’s growing population, which is currently straining at the seams with 1 billion people. However, the culture’s predisposition to value male heirs over females has left a growing tragedy on China’s hands. In an effort to stem the tide, the government allowed parents to give up their unwanted babies for international adoption in the mid ’90s. American families adopted approximately 6,493 children by 2006, according to the U.S. State Department.

The numbers paint a broad picture. But first-time author Beth Nonte Russell puts it into personal perspective in her riveting and impossible-to-put-down memoir, “Forever Lily: An Unexpected Mother’s Journey to Adoption in China.”

Unexpected mother, author
Russell was a 30-something psychologist living in the Washington, D.C., area with her husband and three stepchildren when her neighbor, Alex, asked her to accompany her to China where Alex planned to adopt a child. The story takes a dramatic turn and soon Russell finds herself embroiled in the midst of an emotional roller coaster. Alex is ambivalent about wanting the baby and suffers a nervous breakdown, asking Russell to take the baby. Just when Russell warms to the idea, Alex wants the baby back. Set with the backdrop of the already cumbersome and heartbreaking adoption process where scores of babies are left to die and wither away unattended, the story ultimately has a happy ending.

Though the author wasn’t a working writer at the time she visited China, she’s a skillful narrator who displays elegant prose that is thoughtful and insightful, both into her mind’s own inner workings and the unfolding situation. “When I returned from China, I knew beyond a doubt that I would write this story and try to share it with others,” she said. “There was a strong urge to tell others about the abandoned children that I had seen in the orphanage there; I felt obligated to be their voice. Thoughts of those children would not let me go, and I began writing the book a year after I returned.”

“Forever Lily” raises real-life questions that prompt the reader to explore ideas of what constitutes a family, and how spiritual bonds can sometimes grow deeper than physical ties. The story sends strong messages of love, hope and inspiration that readers will find meaningful whether they’re considering adoption or not. It’s one of the finest nonfiction books I’ve read in a decade.

Sharing the experience
Russell’s psychological training gave her the necessary tools to break down the complex emotions that accompany adoptions, but it also gives her a unique way to approach the memoir. “With ‘Lily’ I did not set out to write a memoir to tell ‘about’ my life; instead, I hoped to give the reader a chance to share the experience and bridge the gap of subjectivity,” she said. “My primary intention was to let the reader enter my own internal psychological, emotional and spiritual process as it took place in the context of this particular event.”

Ultimately, Russell and her husband adopted the unwanted child and a few years later returned to China to adopt a second daughter. She sees herself not as their “adoptive” parent but as their mother, in a complete sense. But while she wants her children to know about where they came from, she is preparing them for their own unique futures. “In my view, I am raising two American daughters who happen to have been born in China,” Russell said.

“Forever Lily” is available at booksellers everywhere.

January 2009 Book Club Selection: "Bridge of Sighs" by Richard Russo

I'm thrilled beyond measure to announce that our January book club selection will be famed American author Richard Russo's "Bridge of Sighs." Mr. Russo will be joining us via a phone chat on Monday, January 19, 2009 at 7 p.m. at the Barnes & Noble at Carolina Place Mall.

Please RSVP by e-mailing alison@thecharlotteweekly.com.

P.S. No...you didn't miss December's pick. We're taking the month off to make sure everyone has a chance to read the 600+ page tome.

November 2008 Book Club Selection: "The Glass Castle"

Join us Monday, Nov. 24 at 7 p.m. to discuss "The Glass Castle" at Barnes & Noble at Carolina Place Mall. Please RSVP by e-mailing alison@thecharlotteweekly.com.

Secret Life of Bees Trailer

Sue Monk Kidd's beautiful book "The Secret Life of Bees" is coming to a theater near you October 18! Be sure to see it. Take a gander at the trailer here.

October 2008 Selection: The Richest Season by Maryann McFadden

This month's selection is The Richest Season by Maryann McFadden. Join us on Monday, Oct. 20 at 7 p.m. at Barnes & Noble in Carolina Place Mall to chat with the author about her breakthrough novel. To RSVP, please e-mail me at alison@thecharlotteweekly.com.

To read more about our selection, read the interview I did with McFadden when she visited Charlotte in July.

Breakthrough author
Self-published author turns story into mainstream success

Some authors put all their drama and intrigue on the page. But for Maryann McFadden, the author of “The Richest Season,” the story of how she became an author is worthy of its own book. This former public relations and marketing professional, who took a twenty year detour as a real estate agent, has written of the most unputdownable books of the season.

“Season” tells the story of what happens when a dutiful wife whose husband works in corporate America dares to dreams about what her life could be now that her kids are grown up and have gone off to college. Faced with an empty nest, Joanna Harrison decides to leave her comfortable life in a New Jersey suburb to discover herself in Pawley’s Island, South Carolina. There she discovers depths she had forgotten she had and her life, her husband’s life and the life of the woman she takes care of will never be the same again.

McFadden is clear; “Season” is not an autobiography. “I don’t think a woman has to leave her husband to find herself,” she said during a stop earlier this month at Park Road Books. “But I do think there is immense value in leaving the routine of your day-to-day life so you can pull back and get a grander vision of what your life could be.”

But it was McFadden’s life as a real estate agent that inspired her character’s dilemma. “I remember being with a client and their 4-year-old son was screaming and crying because he didn’t want to move,” McFadden said. “That what made me realize that there was a dynamic here that was worth exploring and a story we had not heard before.”

Rich back story
How the book came to be is another story worth telling. After her kids had grown up she decided to pursue her Master’s degree to teach but it was a writing course that rekindled her passion in the craft of putting words to paper. “Soon I wondered why I ever left writing to begin with,” she said. “I was back in love and had rediscovered a part of myself that I had closed off while I was raising a family.”

“Season” started off as a short story but turned into a 120-page thesis. She tried the traditional route of getting an agent to represent her work to a publishing house to no avail. Finally buoyed by questions of fellow book club members who asked her when she was going to publish and her 50th birthday looming in the near future, McFadden decided to self-publish her book. “Having been in PR I knew what it would take to build buzz around a book,” she said. After a self-financed book tour up and down the east coast, and events with bookstores and book clubs, within seven months an astonishing 2,000 books were sold.

Another key component in her success was getting independent booksellers on the “Season” bandwagon. “Once I read it, I knew I could hand sell it to anyone just based on the story,” said Frank Burlson, a 26-year veteran of Park Roads.
McFadden says she secretly hoped that having been denied the traditional publishing route, she could come in through the back door. “One night I was watching ‘Grey’s Anatomy’ and I said, I’ve got to reach out to agents again’ so I put everything I had done – how many copies were sold, how I marketed the book, reviews from booksellers – everything!” she said. “I e-mailed it to a handful of agents. By the morning I was asked by a top agent for an exclusive.”

The agent asked her to pump up the first chapter and make Joanna’s husband a more prominent character earlier in the book, which was feedback readers had given as well. Soon many of the top houses were in a bidding war for the rights to her novel. McFadden signed a two-book deal with Hyperion Publishing, owned by Disney. McFadden is touring the country, selling the book which she calls “the expanded version” to many of the readers who loved the book the first time around. She’s also working on a second novel, tentatively titled “So Happy Together” which is a story about the sandwich generation.

After the entire struggle, McFadden is serene and sanguine. “After years of effort I can’t believe how lucky I am but this has always been my dream, and I can’t believe I get to live it.”

Want an autographed copy?
Park Road Books has a limited number of signed editions at their store at 4139 Park Road. For more information, visit http://www.parkroadbooks.com/. Or buy your copy at booksellers everywhere and bring it with you on Oct. 20.

Elegy: The Movie

Ah, the controversy of the eternal question -- which is better? The book or the movie. My answer: it always varies. But I did have a chance to catch the movie Elegy this past weekend. And it was fantastic! Ben Kingsley, Penelope Cruise and Dennis Hopper are at their finest. There's even a turn by Blondie's Debbie Harry that will take you by surprise. I found the movie to be thoughtful, thought provoking and brutally honest. If you are in Charlotte, run to Park Terrace -- they are now an art house! If you are anyplace else, visit Fandango and find it at a theater near you!

Seen it? What did you think?

Countdown to our new book: Marketing with New Media

It's pretty incredible that in seven days readers will be able to walk into any bookstore around the country and in 25 countries around the globe and pick up a copy of our book, "Marketing with New Media: A Guide to Promoting Your Small Business Using Websites, E-Zines, Blogs, and Podcasts" (Penguin/Prentice Hall Press).

Written with fellow book club member, business partner and friend, Lena Claxton, the book came as a natural outgrowth of seminars we did on technology. We realized that businesses were clammoring for information on technology and that we could help them.

I'll post more information here over the next couple of weeks but we'll be having two big kickoff events:

1. On Tuesday, Sept. 2 at 7 p.m. EST we will host a worldwide launch party online. For more information, visit http://www.newmediamavens.com/page/page/6056407.htm.

2. If you live in Charlotte, come see us in person! Queens University's McColl School of Business will be hosting our kickoff party on Friday, Sept. 12 at 6: 30 p.m. For more information, visit http://www.newmediamavens.com/calendar/calendar_day/6056407/2008-9-12.htm.

Enjoy!

Speaking Volumes Sneak Peek

The book for October will be Maryann McFadden's "The Richest Season." Details TBA.
The book for November will be "The Glass Castle" by Jeanette Walls.

Want to suggest a future book club pick? E-mail me at alison@thecharlotteweekly.com.

Happy reading!

Favorite cookbook of the moment

Run, don't walk to pick up a copy of "Two Dudes, One Pan" by Jon Shook and Vinny Dotolo. These guys are the real deal and honed their skills in Hollywood cooking for the likes of George Clooney and friends. What I love is that this is the kind of book you can curl up on the sofa and dream about making such mouth-watering delights. It's real food that's really good. Simple stuff like roasted chicken and lemon bars and Sunday specials such as braised roasts.

Read more about why I call them the cookbook for the season in this week's Charlotte Weekly and Union County Weekly.

September Speaking Volumes Selection: The Dying Animal by Philip Roth

Love and loss are familiar themes in life and literature. But National Book Award winner and literary legendary author Philip Roth takes a new look at the topic in “The Dying Animal,” Charlotte Weekly’s book club selection for September. Hollywood producers revived interest in the novella and currently Ben Kingsley and Penelope Cruise play the central characters in “Elegy” the movie inspired by the book.

The story follows cultural critic and star lecturer David Kepesh at a New York college who hopes to rediscover himself through his relationships his students. But into his life comes Consuela Castillo, a Cuban exile, who turns the table on him. In the book Roth examines the themes of eros and mortality, license and repression, selfishness and sacrifice.

Since his first book, “Goodbye, Columbus,” which won the National Book Award, Roth has been a darling of the literary scene. Numerous other best-selling books followed including “American Pastoral,” “I Married a Comunist” and “The Plot Against America.” He has made a career looking at the dissolution of relationships, the absurdity of neuroses, and the downside of his own literary fame. So much of his work draws on his roots born in New Jersey, the son of immigrant parents. Many of his readers believe that Roth has been writing his own story for nearly fifty years.

Roth’s twenty-ninth book, “Indignation” comes out on September 16 and Charlotte Weekly has won an exclusive interactive webinar with the author. Join us on Tuesday at 7:30 p.m. at Barnes & Noble at Carolina Place Mall in Pineville where we will discuss his book, “The Dying Animal” and hear from the author himself about his latest work. Please RSVP by e-mailing alison@thecharlotteweekly.com.

Hear Author Barbara Kingsolver discuss "Animal, Vegetable, Miracle"

Summer Book Club Selection: Animal, Vegetable, Miracle by Barbara Kingsolver

This summer, my dad decided he wanted to grow cucumbers in his garden. This is my dad’s first foray into growing “serious” vegetables. His first was last summer when he grew some miniature chilies, tomatoes and some scallions on pots on his deck. Now that my parents bought a house, his first thought was “Now I can grow some real vegetables.” I neglected to remind him that a decade ago my mom and I grew cucumbers in another house we had on Long Island and they completely took over the yard. The creeping vine strangled all the other vegetables we put in the same area but I figured planting seeds is like planting hope. You optimistically hope for the best. And grow the next vegetable at least 20 feet away.

Watching the tiny yellow flowers turn into giant cukes brings one much closer to the miracles of daily life. It’s crazy to think that just outside the kitchen window the magic happens, and even I find myself rushing out to check on the plant’s progress each day. With food prices rising more than 30 percent since the beginning of the year, it seems like growing your own food is a much more economical idea and one that could catch on. For the reasons mentioned above, we’ve chosen best-selling author Barbara Kingsolver’s novel “Animal, Vegetable, Miracle” as our summer book club selection.

Kingsolver, who is mostly known for her 11 novels (including “The Poisonwood Bible”), decided to devote one year of her and her family’s life and only eat things that she could grow, trade with her neighbors or buy from local farms. This idea of sustainable living is often encouraged to subsidize trips to one’s local grocery store but very few people have done it to such depths and heights.

“This is the story of a year in which we made every attempt to feed ourselves animals and vegetables whose provenance we really knew . . . and of how our family was changed by our first year of deliberately eating food produced from the same place where we worked, went to school, loved our neighbors, drank the water, and breathed the air,” Kingsolver writes as the book’s central narrator. Also adding their perspectives in the form of sidebars are Kingsolver’s husband, Steven Hopp, a professor of environmental sciences, and her daughter Camille offers brief essays on her then- nineteen-year-old’s perspective on the local-food project.

The author was born in Maryland, and grew up in rural Kentucky. In 2004, after more than 25 years in Tucson, Arizona, she left the southwest and now lives with her family on “a farm in southwestern Virginia where they raise free-range chickens, turkeys, Icelandic sheep, and an enormous vegetable garden.”

We're meeting Monday, August 18 at 7 p.m. at the Barnes & Noble at Carolina Place Mall. To R.S.V.P., e-mail me at alison@thecharlotteweekly.com.

Lisa See chats with CW

Lisa See, our first guest was magnificent. Her insights into Peony in Love makes you want to read the book all over again. To listen, click on the radio player.

'Speaking Volumes' launches online radio show

OK, book club fans, get ready for the online version of our book club.

Each month we chat with wonderful authors but now we've decided to let all our readers get involved. This Tuesday we'll be interviewing June Book Club author Lisa See to chat about "Peony in Love."

Join us by clicking on the button:

Watch and listen to author Christopher Hitchens

Hi!

Watch this great video on author Christopher Hitchens.

Watch Lisa See discuss "Peony in Love"