
Meet the author



A “hornet’s nest” usually refers to a contentious situation. So if you stir the hornet’s nest you are likely to make people uncomfortable and upset. However, if you kick the hornet’s nest, you can better believe that an army of “hornets” are coming after you with a vengeance. That is exactly what comes to pass in Stieg Larsson’s final installment of the Millennium Trilogy, "The Girl Who Kicked the Hornet’s Nest."
This third novel is much like the first two in that the story jump starts from the first page, in this case, right where we left off in book two, but then slows down as additional back-story is provided through exposition. There are new characters introduced and their relationship to the “hornet’s nest” or Sweden’s security police, and the criminal investigations surrounding the murders for which Salander is the prime suspect, are slowly revealed. A few of these new characters are on Salander’s side; however, most are not. Those out to get revenge will sacrifice even themselves to protect the “nest,” the other “workers,” and the “cells” they have created over time. Since Salander is in critical condition due to a gun shot to her head, this time, it’s Bloomkvist’s turn to outwit the “hornets” and he does so by pulling a few pages from Salander’s book. Still, Salander, in her true fashion, also does her part to undermine authority and through her own methods take the law into her own hands for what she deems to be justice.
This novel does tie back to the first one and once the reader sees the parallels and Salander’s choices are revealed, he/she will agree that Salander has matured over the course of the trilogy. She is capable of maintaining her sights on the bigger picture and of making better choices. And while her kick of the hornet’s nest does create quite a stir and many problems for her and others, ultimately, like any good crime thriller, lose ends are tied up, the crime is solved and exposed, the “hornets” are captured and the “nest” is eliminated, and the detective, who in this trilogy is sometimes involved in criminal activities herself, proves that she has more wits and fury than a nest of hornets.
"The Girl Who Kicked the Hornet's Nest" is available wherever books are sold.

Photo by Anne Fishbein
Opera Carolina launches its new season with “Cosi Fan Tutte,” featuring, from left to right, Robert Mack (Ferrando), Caitlin Lynch (Fiordiligi), Elizabeth Stannartd (Dorabella) and Marian Pop (Guglielmo).
Photo courtesy of Simon and Schuster
Laura Esquivel is a Mexican born author who sprang to fame more than twenty years ago with her brilliant work, "Like Water for Chocolate." The story started as a series of installments that captured the tales of Tita and Pedro. Being thwarted from pursuing their love, Pedro marries Tita's sister, Rosaura. The two spend the next twenty years under the same roof while Tita shares her love through food. The lyrical novel offers recipes and romance in such a poetic manner; it instantly became one of the most successful books written by a Latino author of all time.
Most recently, Esquivel wrote "Malinche" based upon the real-life story of the translator who worked for Herman Cortes, the Spanish conqueror. Malinche holds a controversial place in history and was seen by many as a traitor to her people. But Esquivel does a noble job examining her plight as a woman caught between two worlds. The author travels a familiar, yet satisfying, route of navigating the territory of dancing between one's head and heart.
As the days shorten, it feels like the time to curl up with a great book lengthens. This September as we continue our sixth year of our newspapers’ signature book club, Speaking Volumes, we choose a book that looks at the daring choices women made in the past. “The Wet Nurse’s Tale” by North Carolina native Erica Eisdorfer is a story of intrigue and romance set in the midst of Victorian England.









